Wob has been a member of the PSA for more than 15 years and stepped up to join the council after lockdown. This month, Wob has taken over the role of Treasurer. As a production manager, Wob brings priceless insights into the crucial needs of the touring sector, helping to pave the way for a brighter future in our industry!
Find out more about Wob...
Where do you work?
I’m a Production Manager based out of Redhill in Surrey, I was working on tour with Sam Smith in 2024.
What do you love about the event production industry?
I’ve never known anything other than the entertainment industry, so it’s hard to say exactly what I love about it. It can frustrate me as much as it pleases me. What I do know is that nothing else I’ve done gives me as much satisfaction at the end of the day.
A career highlight was doing Robbie Williams at Knebworth — 375,000 people over three shows.
How long have you been a PSA member?
Over 15 years.
Tell us about your experience as a PSA board or council member.
I joined the board towards the end of lockdown with the mindset that if you have opinions about changing something, you should actually try to do something about it — otherwise it’s just whinging.
The people I’ve met on the council feel the same way. It’s been a pleasure having discussions with like-minded people who want to improve and evolve the entertainment industry.
What are your goals for the PSA this year?
I want the PSA to be in a position to give knowledgeable assistance to any member navigating the complexities of working between the UK and Europe, especially as ETAs start rolling out in November and ETIAS comes online next year.
As these systems become automated, we’re going to see more situations where ‘computer says no,’ and we need to be ready to support members through that.
Why is it important for you to be part of the PSA council?
When I first joined the PSA, I didn’t fully understand what it was — it felt like a subscription I could write off against tax.
The first time I reached out for help, it was on a health and safety issue, and I was told they couldn’t assist because of liability concerns.
Things have changed significantly since then, largely due to the work done by the council in areas like health and safety, insurance, training, and education. Being part of the council gives me the chance to contribute to that continued progress and bring in insight from the touring side of the industry.
What advice do you have for new members — or anyone entering the industry?
The biggest piece of advice I can give is to understand that the touring music industry isn’t just a job — it’s a lifestyle. It’s not for everyone.
Thanks to groups like the PSA, it’s become a much more inclusive lifestyle than it used to be, but living and working on the road still makes this much more than your average job.